VIOLIN Making/Repair/Restore,Varnish-Tone,Luthier Schools,Masterpieces,Play /DVD

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_________________________________________________<br>Welcome to a product distributed by Krypton-Hersir<br>Gift Quality Computer DVD<br>TO BE PLAYED ONLY ON a Windows, Mac or Linux COMPUTER or TABLET<br>You will receive a Computer DVD - You will not receive physical books<br>___________________________________________________________________<br>This is the original disc, others are copies or imitations<br>The best collection on the subject in the English language<br>THE VIOLIN COLLECTION<br>Over 90 of the best eBooks<br>on:<br>Violin Making<br>& Makers<br>-- The Italian, French, German & English Schools --<br>Repair & Restoration<br>Varnish & Tone<br>Masterpieces<br>History<br>Violin Playing<br>by Etelond Publishers<br>Note:<br>We offer a larger disc w<br>ith additional works in French and German. If you are interested, please<br>click here<br>The ebooks included in the Computer DVD are listed below,<br>for a few of the ebooks the contents is detailed in blue letters<br>(to give full details would take dozens of pages):<br>Repairing & Restoration<br>The Repairing & Restoration of Violins, by H. Petherick, 1903<br>Ch I. Introductory.<br>Ch II. Slight accidents.  Modern restorer.”Chattering". The proper sort of glue. Its preparation and use.<br>Ch.III. Minor repairs. Cramps and Joints. Violin cases. Rattles and jars. Loose fingerboards. Atmospheric temperature. Old-fashioned methods of repairing. Modern ways. A loose nut.<br>Ch IV. Injuries to the head or scroll. Insertion of fresh wood. Coloring of white wood. Separation of head from peg-box and re-joining. Stopping material for small holes or fractures. The peg-box cracked by pressure.<br>Ch V. Fracture of peg-box and shell. Chips from this part. Filling up of same. Restoration to original form, after parts have been lost. Worn peg-holes, re-filling or boring same.<br>Ch VI. Loosening of junction of graft with peg-box, and refixing same. Grafting, different methods of performing this. Lengthening the neck. Old and  modern  method. Renewal of same. Inclination of neck and fingerboard with regard to the bridge. Height of latter, and reason for it.<br>Ch VII. Finishing the fingerboard. Fixing the nut. Size and position of grooves for the strings. Filing down the graft. Smoothing, coloring, and varnishing same.<br>Ch VIII. Injuries that can be repaired from the outside. Insertion of fresh Wood in fracture of the ribs. The effects of climate on the glue in violins<br>Ch IX. The glue used by the early Italian makers. Insertion of pieces of wood for repairing lost parts. Replacing lost rib and repairing interior without opening when possible. Securing loose lower rib to end block. DifferentmMethods. Treatment of worm-hole. Fixing on graft on neck.<br>Ch X. Ways of removing the upper table and the neck. Cleansing the interior. Preservation of the original label. Closing of Cracks in Upper Table<br>Ch XI. Getting parts  together that apparently do not fit. The use of benzine or turpentine. Treatment of warped or twisted lower tables.<br>Ch XI. Removal of old superfluous glue by damping. Replacing old end blocks by new ones. Temporary beams and joists inside for keeping ribs, etc., in position while freshly glued.<br>Ch XIII. Re-opening the back to correct the badly repaired joint. A few words on stud. Filling up spaces left by lost splinters. Matching wood for large cracks, etc.<br>Ch XIV. Repairing lost portions. Margins of sound holes. Matching the grain. Fixing and finishing off. Replacing with fresh wood large portions of upper  table. Lost parts of purfling. Restoring it with old stuff.<br>Ch XV. Repairs to purfling (continued). Filling up an opening extending to the whole length of the violin. Fitting the core. Fixing it in position and retaining it there. Finishing the surface.<br>Ch XVI. Repairing undertaken by people in business not connected with that of  bowed instrument. Removal of a fixed sound post. Fitting a fresh part of worm-eaten rib. Bringing together the loosened joint of the back without opening the violin.<br>Ch XVII. Insertion of studs along the joint inside without opening the violin. Lining or veneering a thin back.<br>Ch XVIII. The bar in olden times. The modern one. The operation of fitting and fixing the bar. Closing and completion of the repair. Varn